Metaphysical and Cosmic Art
Cosmic Essentialism
It is our essence
which includes all that we are,
just as in the three-dimensional physical world
as with the multidimensional ether.
A basic thing of our essence to which we all belong, no matter what colour we are, is the direction and the frequency of our thoughts and of our acts which can be very powerful to create a better world.
To be a plastic artist
“To walk or to go a different way to majority, without renouncing being like others.
Romantic and warrior looking for utopia and a times defending loss causes. Who wants to be an artist in a society saturated by image and in which whatever you do might goes unnoticed?. I think it is an excuse to be able to have your own pace of life and to be able at the same time to be yourself. Even so, lacking many things, with balance and challenge and having other ways of doing and seeing the world. Through the work of research, looking for contents that go further and bring something that is worth the effort”.
“No one obliges me to paint, nor to write, nor to say anything. I do it because a commitment with life, a commitment with myself to give ever more.”
“I paint nature, other dimensions, the ether, emotions, the spirit, the soul, sentiments, intuitions and whatever comes up.”
To understand all that happens to us, the reality we create around ourselves, that we want to happen, and how is our way of solving what comes up, what comes from us, the way of doing it, the intention, and the result we obtain.”
The methodological process
“I like spot painting for itself. The one which comes up on its own even though it comes out of a projection of the method; it is the one which has taken me through unlimited roads, and through different feelings, understanding concepts like “the infinite”, places and ways where we can be ourselves”.
First: with a process with water I make a dot almost automatically without reflection and very decisive, choosing the colours, the gesture, the movements to take out the waiting water in order to settle the pigments. Finally, to modify if necessary and let it dry.
The second process, now in the studio, begins with looking at the work to see what it expresses, what is said to me and what is demanding me.
I look at the work as many days as necessary until I find what resonates in me .... and if it is necessary I add the necessary elements to enhance and finish the work.
It is a shamanic process with senses open to many possibilities, I follow my intuitions and I continue without fear assuming the risk of error.
Over time, I have found that the process is very meditated and I think it is very interesting and can please. Even so, I only make the initial link with the observer, just with some images with some first visions and/or with some first ideas or thoughts. The observer is the one who arrives at their own conclusions.
Luís Manuel Sánchez Abelló